Regional Cultural Narrative and Image Expression in Documentary Creation
纪录片创作中的地域文化叙事与影像表达

摘要

地域文化纪录片既记录地方景观，也参与地方意义、群体记忆与身份认同的建构。文章采用文献分析、 行业数据描述与机制建构方法，辨析地域叙事中景观奇观化、说明性话语过载和人物工具化等问题，提出“田 野进入—关系发现—事件叙事—视听编码—语境传播”的创作闭环。研究认为，应以微观人物承载历史结构， 以空间行走联结时间记忆，以多声部协商保障在地主体性，并通过镜头、声音、节奏和跨媒分层表达塑造地方感。 创作评价须兼顾文化准确、主体尊重、叙事效能与传播完整，从而推动地域文化由被观看的符号转化为可理解、 可对话的经验。

Abstract

 Regional cultural documentaries not only record local landscapes, but also participate in the construction of local meaning, collective memory, and identity. Using literature analysis, industry data description, and mechanism construction, this paper identifies problems in regional narratives, such as the spectacularization of landscapes, overloaded explanatory discourse, and the instrumentalization of characters, and proposes a creative closed loop of “field entry–relationship discovery–event narrative–audiovisual encoding–contextual communication.” The study suggests that micro-level characters should be used to carry historical structures, spatial movement should be used to connect temporal memory, multi-voice negotiation should be used to ensure local subjectivity, and a sense of place should be shaped through camera language, sound, rhythm, and cross-media layered expression. Creative evaluation should take into account cultural accuracy, subject respect, narrative effectiveness, and communication integrity, so as to promote the transformation of regional culture from a symbol to be viewed into an experience that can be understood and dialogued with.